For today’s study I mixed a solution of quinacridone burnt orange and another of turquoise. I find it much easier to have a lot of liquid pigment at my disposal, especially for washes.
However, I began by painting narrow traces of burnt orange (without plan). I abutted fields of turquoise against the orange for maximal contrast.
Mask
9″x12″ 140# Cold Pressed Watercolor Block
I finished up with a deep cerulean blue and dark neutral tint outlines of the burnt orange tracings
JAN KIRSTEIN RIGOR 